Ed Borowsky

 

Spark: The Mongolian-American Taxi Driver

 

The spark zapped me when I was coming home to Orlando, Florida, from my sister's house in Chicago. I hopped into the taxi and the taxi driver asked me where I was headed.

 

I said, "Home, Orlando."

 

He replied, "I'm going to Orlando next month."

 

I asked, "Are you going to Disney?"

 

"No, bowling tournament."

 

I then asked, "Where you from originally?"

 

"Mongolia."

 

"Is bowling big in Mongolia?"

 

"No! On Thursday nights, AMF bowling alleys all over the country have a promotion called Quarter Mania. Between 5 p.m. to midnight they offer twenty-five-cent games, twenty-five-cent bowling shoe rentals, and twenty-five-cent hot dogs."

 

I then asked, "How many people are going to the tournament?"

 

"Over six-hundred," he said.

 

Spark. Six months after that chance meeting, I went to the bowling alley in Orlando to meet the manager of the lanes. She told me that she remembered the tournament and pulled out her records, which indicated that there was about 60 Mongolian-Americans in attendance that day. I must have heard him wrong, but still, with their accompanying family members, I thought that was quite a turnout for the first-ever Mongolian-American bowling tournament in the United States of America.

 

In 1990, Mongolia declared their independence from Russia in a silent coup that put the Mongolian population of 2.7 million in great peril. It thrust the country from an old Soviet-style communist state to a capitalist democracy overnight.

 

This idea swirled round and round in me. I sat down numerous times in the span of two years trying to write the book without success. The fact that I had only met one Mongolian/American was holding me back.

 

One morning I woke up around 5 a.m., in that half-awake/half-asleep dream state, I realized that I could write the book from the perspective of a seventy-two-year-old Jewish man. I had found my voice that early Sunday morning and "The Great Mongolian Bowling League of the United States of America" was born.

 

Orientation: The Great Mongolian Bowling League

 

Bowling is the crucible holding the story, however, "The Great Mongolian" deals with aging and the questions we all ask as we get older. "Did I lead a good life?" "Was I a good person?" "Did my life have meaning?" If you'd like to find answers to these questions, I encourage you to read my book.

 

The orientation is, "Can one live a simple life in a small town, work a small job, live without a family, and find meaning and fulfillment in living?"

 

I'm happy to report that "The Great Mongolian" took first place in the Novella category in the 2019 International Book Awards.

 

In reflection, I got that spark when I entered the back seat of that yellow taxi cab and now as of this writing sparks are still flying. There are more adventures of the protagonist Harold Kushner and his sidekick Murray to come.

 

Would you like to learn more about Orientation and the other Elements of Story? I'm also interested to know, have you ever had a chance conversation that sparked a story? I'd love to read your comments.

 

-Ed Borowsky, Author

 

 

Synopsis: Here I discuss the relationship between motivation and writing, and describe the ways in which we can be ignited by the spark of a story idea (or, infected by its germ!). I also briefly touch on the reason why NaNoWriMo may not be your next step - yet.

 

Motivation & Writing

 

In the month of November, authors are encouraged to sit down and set a goal of 50,000 words in a brave effort to write a novel in a month. There's a whole support group set up to assist the authors in their endeavor.

NaNoWriMo is a 501(c)(3) non-profit organization that according to their website "provides tools, structure, community, and encouragement to help people find their voices, achieve creative goals, and build new worlds – on and off the page."

 

The event has caught on, and I believe anything that inspires a writer to write is commendable. However, the intense writing practice doesn't quite work for me unless the writer has explored the story idea in his/her head and has meditated on it to the point that they've defined the four elements that make up the core idea of a story. I'll discuss how these elements relate to motivaiton and the writer's imagination in this and upcoming posts.

 

An author's idea for a story will emerge from daily life in one of two ways. At times, this idea ignites a spark within the writer's imagination, engulfing their being, only further fueled by the oxygenated breath of ink on paper. Other times, the idea infects a writer, an unnoticed germ, until one day the consequent symptoms beg prognosis of an imagination consumed. 

 

As of this writing, I've completed three novels, two novellas, and a two-act play. I can say I've been both ignited and infected by story ideas. That is, the genesis of each work began by an incident that happened to me which triggered my curiosity. The only tangible difference was whether it was an immediate spark, or an infectious germ. When these incidents occurred, they nonetheless stayed with me to the point that I couldn't drop them from my thoughts. It's a process that is at times instant, others took years to develop before I sat down to write.

 

I find what sparks the writer fascinating. I'd love to hear when Ernest Hemmingway came up with the idea for Old Man and the Sea or what sparked Eric Segal to sit down and write "Love Story."

 

Therefore, to simply sit down and write from November 1st till the end of the month without this hashed out first, in my opinion, will be an effort in futility.

 

The writer has to feed their flame, to put their germ through the grist mill of thought, until he/she understands or defines what the "central idea" of the novel will be. Whatever the central idea is, it should raise a question that needs to be answered. This question should cause people to ponder; it should arouse curiosity; it will cause people to take sides; they will either root for or against the characters involved in the story. The central idea is what keeps the reader reading and the audience in its seat. The central idea needs to be defined, as it is the starting point for creating a story, and I'd suggest no words should be written until the author has this worked out. If you write prior to the central idea being defined, then the writing should be laid down only to help the writer in the meditation process.

 

This central idea rouses an emotion in the writer, one that the reader needs to feel in order to fully grasp this central idea. From this emotional conflict, characters arise; embodiments of the forces causing this emotion. These elements then shape the cruicibe in which they are contained. The initial spark that captures the writer's imagination; the germ which infects us.

 

The Four Elements of Writing a Story

"It has been said that any set rules are impossible to a writer, that novel and plays cannot be written by measure, that all one can do is have a "story to tell and tell it." But surely, it is better to tell your story so that the writer's meaning comes clearly to the reader/audience, and that it must first be clearly laid out in the author's mind."

-Ken Eulo (The Causative Formula, Labyrinth of Design, August 1991)

 

They say there are two types of writers. First is the 'Outliner,' who carefully outlines and then writes their story. Second is the 'Intuitive Writer,' who discovers the story as they write, and as they discover so does the reader.

 

If I had to pick, I'm an intuitive writer. However, I'll argue that I always have a rough outline in my head. My stories change within the outline as I go, I just don't write it down. Behind all stories there remains four elements that both intuitive writers and outliners share. Without these four elements, there is no story - only process. This process is as follows:

1. Spark/Germ.
2. Meditation.
3. Outline.
4. First Draft.
5. Rewrite.

The five stages of the writing process are self-explanatory. 

 

There are, of course, many ways to create a novel or play. The creative process is complex, it begins, progresses, and evolves. With all the stories that have been laid down by generations of writers, there is a commonality of elements that make up a well-crafted novel and play. Once a writer gains an understanding of the four elements, they will begin to see them in every story, whether it be a movie they are watching or a novel they are reading. It is enlightening to the writer, however, it's not that easy at first.

 

This process is simple. Yet, it is only simply once you have that germ which infects us - the kindled spark igniting the writer's imagination into story, and the four elements of the construction of narrative.

 

The Four Elements of Writing a Story:

1. Orientation (central idea)
2. Theme (basic emotion)
3. Character (personification of basic emotion)
4. Crucible (container in which all other elements are held)

In upcoming posts, I elaborate how these elements relate to motivation and the spark of a writer's imagination.

 

Which type of writer are you? Also, are you more motivated as a writer by the spark of imagination, or do you find yourself consumed by forgotten germs? Comment below, I'd love to hear your take.

 

—Ed Borowsky, Author